{
    "type": "FeatureCollection",
    "name": "artefact",
    "crs": {
        "type": "name",
        "properties": {
            "name": "EPSG:4326"
        }
    },
    "features": [
        {
            "type": "Feature",
            "geometry": {
                "type": "Point",
                "coordinates": [
                    30.554502,
                    25.483968
                ]
            },
            "properties": {
                "id": 716,
                "artefact_uri": "https:\/\/4care-skos.mf.no\/artefact\/716",
                "site_id": 15,
                "site_uri": "https:\/\/4care-skos.mf.no\/place\/15",
                "site_name": "al-Ba\u01e7aw\u0101t",
                "clm_id": "TM 397771 ",
                "material": "Plaster",
                "description": "SEG LIII 1979 (1-14): Labels accompanying paintings in the dome of the \"Chapel of the Exodos\".This chapel is unique in the necropolis, the whole interior is painted with scenes from the Old Testament, the largest one being a detailed representation of the Exodus which fills the whole circle.Painted labels, written in an informal uncial, allow the identification of the figures (Cipriano 2003): 1) \u03a6\u03b1\u03c1\u03b1\u03ce; \u1f18\u03c1\u03c5\u03b8\u03c1\u03ac; \u1f38\u03c3\u03c1\u03b1\u03b7\u03bb\u03b5\u1fd6\u03c4\u03b1\u03b9; \u039c\u03c9\u03c5\u03c3\u03b5\u0303\u03c2; \u1f38\u03bf\u03b8\u03cc\u03c1 (252); 2) \u1f39\u03b5[\u03c1\u03bf]\u03c5\u03c3\u03b1\u03bb\u03ae\u03bc; [\u1f39\u03b5]\u03c1\u03b5-[\u03bc]\u03af\u03b1\u03c2 (257); 3) \u039d\u1ff6\u03b5; \u03ba\u03b9\u03b2\u03c9\u03c4\u03cc\u03c2 (258); 4) \u0396\u03c9\u03ae (Eva); \u1f08[\u03b4\u03ac]\u03bc (260); 5) \u0394\u03b1\u03bd\u03b9\u03ae\u03bb \u1f10\u03bd \u03bb\u03ac\u03ba\u03ba\u1ff3 (262); 6) \u03ba\u03ac\u03bc\u03b9\u03bd\u03bf\u03c2 (265); 7) \u1f28\u03c3\u03b1\u0390\u03b1\u03c2 (266); 8) \u1fec\u03b5\u03bc\u03b2\u03ad\u03ba\u03b1 (=\u1fec\u03b5\u03b2\u03ad\u03ba\u03b1; 268); 9) \u1f38\u03c9\u03bd\u1fb6\u03c2; \u03ba\u1fc6\u03c4\u03bf\u03c2 (270); 10) [\u1f38\u03ce]\u03b2 (272); 11) \u03a3\u03bf\u03c5\u03c3\u03ac\u03bd\u03bd\u03b1; \u0394\u03b1[\u03bd\u03b9\u03ae\u03bb] (274); 12) \u1f08\u03b2\u03c1[\u03b1]\u03ac\u03bc (275); 13) \u03c0\u03bf\u03b9\u03bc\u03ae\u03bd (276\/277); 14) \u0398\u03ad\u03ba\u03bb\u03b1; \u03c0\u03b1\u03c1\u03b8\u03ad\u03bd\u03bf\u03b9 (278-280).The commissioners spoke Greek and knew the Septuagint, as is clear especially from the precise correspondence of the terms \u0396\u03c9\u03ae, \u1f18\u03c1\u03c5\u03b8\u03c1\u03ac and \u03ba\u03b9\u03b2\u03c9\u03c4\u03cc\u03c2 with that text (285).The four walls of the chapel are in the form of arches and the pendentives are occupied by the representation of crosses in the form of crux ansata. Later some Greek crosses were added to them.",
                "date_from": 300,
                "date_to": 399,
                "dating_criteria": "Iconography and archaeological context. Recently dated to (early) 4th c. by Bowen 2014 (as in Fakhry 1951).",
                "selection_criteria": "Christian symbols\/gestures\/isopsephy,Biblical quote or paraphrase",
                "absolute_relative_date": null,
                "stratigraphic_context": "",
                "shelf_mark": "",
                "bibliography": "",
                "external_links": [
                    {
                        "text": "TM 397771",
                        "url": "http:\/\/www.trismegistos.org\/text\/397771"
                    }
                ],
                "classes": "Funerary element,Textual",
                "writing_medium": "Dipinto",
                "text_content": "Subliterary",
                "language": "Greek",
                "archive": "",
                "authors": [
                    {
                        "author": "Val\u00e9rie Schram",
                        "year": "2021"
                    }
                ]
            }
        }
    ]
}